Wednesday 6 February 2013

What is a carbon footprint?


What is a carbon footprint?

The term carbon footprint crops up a lot these days. What exactly does it actually mean?

• The Guardian's quick carbon calculator
Footprints carved in wood
Footprints carved in wood. Photograph: Reinhard Krause/Reuters
Carbon footprint is a horribly abused phrase, so it's worth spelling out exactly what it means.
When talking about climate change, footprint is a metaphor for the total impact that something has. And carbon is a shorthand for all the different greenhouse gases that contribue to global warming.
The term carbon footprint, therefore, is a shorthand to describe the best estimate that we can get of the full climate change impact of something. That something could be anything – an activity, an item, a lifestyle, a company, a country or even the whole world.

CO2e? What's that?

Man-made climate change, or global warming, is caused by the release of certain types of gas into the atmosphere. The dominant man-made greenhouse gas is carbon dioxide (CO2), which is emitted whenever we burn fossil fuels in homes, factories or power stations. But other greenhouse gases are also important. Methane (CH4), for example, which is emitted mainly by agriculture and landfill sites, is 25 times more potent per kilogram than CO2. Even more potent but emitted in smaller quantities are nitrous oxide (N2O), which is about 300 times more potent than carbon dioxide and released mainly from industrial processes and farming, and refrigerant gases, which are typically several thousand times more potent than CO2.
In the UK, the total impact on the climate breaks down like this: carbon dioxide (86%), methane (7%), nitrous oxide (6%) and refrigerant gases (1%). Given that a single item or activity can cause multiple different greenhouse gases to be emitted, each in different quantities, a carbon footprint if written out in full could get pretty confusing. To avoid this, the convention is to express a carbon footprint in terms of carbon dioxide equivalent or CO2e. This means the total climate change impact of all the greenhouse gases caused by an item or activity rolled into one and expressed in terms of the amount of carbon dioxide that would have the same impact.

Monday 4 February 2013

Essay by Nathan Jurgenson for the New Inquiry


An interesting essay commenting on the effects of digital information on our lives. 'To spend a moment of boredom without a glowing screen'

The IRL Fetish

The deep infiltration of digital information into our lives has created a fervor around the supposed corresponding loss of logged-off real life. Each moment is oversaturated with digital potential: Texts, status updates, photos, check-ins, tweets, and emails are just a few taps away or pushed directly to your buzzing and chirping pocket computer — anachronistically still called a “phone.” Count the folks using their devices on the train or bus or walking down the sidewalk or, worse, crossing the street oblivious to drivers who themselves are bouncing back and forth between the road and their digital distractor. Hanging out with friends and family increasingly means also hanging out with their technology. While eating, defecating, or resting in our beds, we are rubbing on our glowing rectangles, seemingly lost within the infostream.
If the hardware has spread virally within physical space, the software is even more insidious. Thoughts, ideas, locations, photos, identities, friendships, memories, politics, and almost everything else are finding their way to social media. The power of “social” is not just a matter of the time we’re spending checking apps, nor is it the data that for-profit media companies are gathering; it’s also that the logic of the sites has burrowed far into our consciousness. Smartphones and their symbiotic social media give us a surfeit of options to tell the truth about who we are and what we are doing, and an audience for it all, reshaping norms around mass exhibitionism and voyeurism. Twitter lips and Instagram eyes: Social media is part of ourselves; the Facebook source code becomes our own code.
Predictably, this intrusion has created a backlash. Critics complain that people, especially young people, have logged on and checked out. Given the addictive appeal of the infostream, the masses have traded real connection for the virtual. They have traded human friends for Facebook friends. Instead of being present at the dinner table, they are lost in their phones. Writer after writer laments the loss of a sense of disconnection, of boredom (now redeemed as a respite from anxious info-cravings), of sensory peace in this age of always-on information, omnipresent illuminated screens, and near-constant self-documentation. 

Natalie Bhinder